George Street and Liverpool Street
street photography
Fine art street photography with the GX7 – An interview with Gagan Sadana
Welcome to our series of 100 interviews we will be holding with photographers who use mirrorless cameras for their work! “Switching to a smaller and lighter system” has become somewhat a buzz phrase as of late, but many working photographers take this philosophy seriously.
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Last Night at The Bus Stop
Depuis l’extérieur, le new-yorkais Travis Huggett photographie les fenêtres des bus qui passent, capturant au passage le portrait d’inconnus effectuant leurs trajets quotidiens.
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Selling street photographs, Part I
Imagine all you do in your life is to walk the streets of some great cities and take pictures. No assignments, just shoot what you like … and sell it.
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Helsinki Street
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7 Street Photography Rules That Should Be Broken
There is an all-too-common path that many people follow when they begin to practice street photography. They grab their camera, go to the busiest place they can find, and capture people head-on over and over again. While this is certainly something that you should do, it is not the only thing.
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Underground
Some shots I took last year under Bangkok’s MRT. Even during the day it is dark down there so my street shooting setting led to some very high ISO values. Just have a look at the exif data under the first shot. ISO25.600! On a camera roughly the size of a Canon Ixus.
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Gear Trend: The Gold Standards For Street Photography
The progression of camera technology from the late 1800’s and early 1900’s through today has steadily made street photography easier to accomplish. Focusing distance scales on lenses make it easier to grab shots without adjusting focus through a finder or on ground glass.
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Mark Steigelman: Shooting Out the Back Window of a Fiat 500
A photographer and accomplished darkroom worker since his early teens, Mark Steigelman has an eye for the ironic juxtapositions of everyday life, and he devised a brilliant and elegantly simple method of capturing them while stuck in traffic.
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Portraiture, part two: candids, reportage, street, and the ‘happiness barometer’
In part one we looked at why images of people fascinate us, and the nature of portraiture. However, this only covers half of the possibilities for ‘images of people’: instances where the subject is a conscious and cooperative part of the process.
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